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Theatre, opera, and audiences in revolutionary Paris analysis and repertory by

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Published by Greenwood Press in Westport, Conn .
Written in English

Subjects:

Places:

  • France,
  • Paris

Subjects:

  • Theater -- France -- Paris -- History -- 18th century.,
  • Opera -- France -- Paris -- 18th century.,
  • Theater -- France -- Paris -- Calendars.

Book details:

Edition Notes

Includes bibliographical references (p. [399]-404) and indexes.

StatementEmmet Kennedy ... [et al.].
SeriesContributions in drama and theatre studies,, no. 62
ContributionsKennedy, Emmet.
Classifications
LC ClassificationsPN2633 .T54 1996
The Physical Object
Paginationxii, 411 p. ;
Number of Pages411
ID Numbers
Open LibraryOL1274171M
ISBN 100313289603
LC Control Number95005677

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Theatre, opera, and audiences in revolutionary Paris: analysis and repertory. [Emmet Kennedy;] -- A study of all performances of plays and operas announced in two Parisian newspapers during the decade of the French Revolution. Theatre, Opera, and Audience in Revolutionary Paris: Analysis and Repertory, by Emmet Kennedy, Marie-Laurence Netter, James P. McGregor, and Mark V. Olsen Authors Theodore E. D. Braun, Author: Theodore E. D. Braun. On J , a crowd of angry French citizens en route to the Bastille broke into the Paris Opera and helped themselves to any sturdy weapon they could find. Yet despite its long association with the royal court, its special privileges, and the splendor of its performances, the Opera itself was spared, even protected, by Revolutionary officials.   The average age of an audience member in Paris is 45 — 48 for the opera, 43 for the ballet — compared with 58 at the Metropolitan Opera and 54 at the Staatsoper in Berlin.

The Revolutionary Theatre must teach them their deaths. It must crack their faces open to the mad cries of the poor. It must teach them about silence and the truths lodged there. It must kill any God anyone names except Common Sense. The Revolutionary Theatre File Size: 87KB.   Beginning Thursday, April 2, London's National Theatre (which has never before offered their shows digitally) launches "National Theatre at Home," which will make available for free on its . Bertolt Brecht's dramas continue to touch audiences and spark political criticism around the world 50 years after his death. He carped on capitalism and didn't mesh with the GDR -- most. Revolutionary Opera Theater in Vienna This project seeks to develop a middle ground between excessive un- architecture and conventional opera theater. One of the strategies is to create a new vertical transition part as the coherent between the opera theater .

This List of theatres and entertainment venues in Paris includes present-day opera houses and theatres, cabarets, music halls and other places of live entertainment in Paris. It excludes theatrical companies and outdoor venues. Former venues are included in the List of former or demolished entertainment venues in Paris and jazz venues in List of jazz clubs in Paris. Before the creation of the National Assembly in , the monarchy supported only three theatres in Paris: the Académie Royale de Musique (Paris Opera), the Comédie-Italienne, and the Comédie-Française. Start studying Theatre History Final. Learn vocabulary, terms, and more with flashcards, games, and other study tools. In Italian theatre,the raucous area where audience members stood on the house floor was the _____. completed in , was the only permanent theater building in Paris . The Théâtre Feydeau (pronounced [teɑtʁ fɛdo]), a former Parisian theatre company, was founded in with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was .